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Original Sources: www.karambit.comw.downsviewchiropractic.com |
M
|
izu no kokoro…a
mind like water. This phrase from Zen Buddhism is familiar to anyone who trains
in the traditional Japanese martial arts. It’s meaning encompasses all aspects
of water. Sometimes the mind is still, like a calm pool reflecting the moon;
sometimes the mind adapts effortlessly, just like water. Water runs deep; water
can recede like the tide, or return to the shoreline with force. Water can
contain hidden currents and whirlpools which an opponent won’t discover until
the last second.
“Empty your mind,”
Bruce Lee advised in his famous interview with Canada’s Pierre Berton. “Be
formless, shapeless like water. Put water in the cup, it becomes the cup. And
water can flow and it can crash.”
The mind-water principle
also reaches deep into Chinese traditions, especially as part of the 5 Elements
Theory, and of course, Daoism itself.
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Original Source: www.shouyuliang.com |
Here at https://www.youtube.com/watch?v=qGTGnm_s6tQ
we find a beautiful rendition of a BaGua deer horn knives form. Practitioner and knives have become one. Practitioner and knives have also become one with their surroundings. Fluid and graceful, both practitioner and knives flow from shape to shape…like water.
we find a beautiful rendition of a BaGua deer horn knives form. Practitioner and knives have become one. Practitioner and knives have also become one with their surroundings. Fluid and graceful, both practitioner and knives flow from shape to shape…like water.
I’ve taught a number of seminars on the Chinese single
and double knives. After the initial stretch and loosening up period, the
attendees pick up their knives – plastic, rubber,
wooden, metal – and you can spot the inner discourse immediately…”I’m picking
up a knife and now I’m holding the knife.”
Everyone becomes
fixated on the knife.
“This is a knife,
it has a blade, the blade is sharp…and I’m supposed to stab someone with it
before he stabs me.”
If that remains the
basic undercurrent of the seminar, I always end up with a real problem. There’ll
be hacking and jabbing with little motion from the legs and hips and very
little escape from a stiff body locked by a mind in turn locked on the idea of
a blade. No wonder Filipino knife teachers ask their students just to let go
and relax into knife flow drills, from the simple to the more complex.
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The hammer grip Source: cheese-cassava.tumblr.com |
Humour helps the
class to relax. Reminding students that they have nothing to prove also goes a
long way in helping them to settle down.
First I show two
basic grips, the hammer grip and the ice pick grip. There they go again. “I’m
holding a knife…he’s asking me to stab with it!”
No, I’m not. I’m
asking you to become familiar with the feel of holding a short weapon in your
hand using two “shapes”. Feel the grip, sense the parts of the blade and the
tip.
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The ice pick grip knivesguideindia.wordpress.com |
“Easy, don’t choke
the knife off. Just let it play in your hand. Let it come alive.”
Next, I show
students how to flow with the knife. That’s vitally important since in the end
all established skills and protocols in any fighting system must be able to
adapt to the necessities of combat. And combat is always fluid.
Next, I rely on basic
shi li movements from the martial art
of I Chuan to provide them with a chance
to explore the knife/practitioner relationship as a partnership of equals
perfectly balanced while going through a fluid set of changes.https://www.youtube.com/watch?v=LacIB10kiNo
I Chuan was developed by Wang Xiangzhai, a student of Guo Yunshen
from Hsing I boxing. Guo was a superb
fighter. Wang himself was undefeated in his career.
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Addy Hernandez Source: compfightsys.weebly.com |
By now, the students begin to sense that the knife is
part of them…and that every part of the knife in turn is alive and flowing and
can be adapted to any situation during combat. And because they’re now relaxed,
the students are able to muster a wide variety of attack lines once they start
practising with a partner. The lines keep changing, keep adapting.
More importantly,
the mind has started to develop some attributes akin to water – stillness,
adaptability, a sense of oneness, the ability to take on any shape and to move
from shape to shape.
I see Judo practitioners
reading this, Karate practitioners as well. I
Chuan? I don’t know any I Chuan. I
can understand the principle but how does it translate into my particular art.
Karate…take a portion
of a Kata, put a knife or knives in your hand, go soft and fluid and start to
play around inside the movements of your
Kata. Then slowly adapt them to combat with a partner. The same in Taekwondo,
etc.
In fact, for all
martial arts practitioners, simply go to your art…and explore. Aikido-ka, you
do this all the time. Judo-ka…you know the very basic entry steps to your hip
throws and shoulder throws. Put a knife in your hand. Just the entries themselves
are full of fluid fighting possibilities.
Years ago, I took
the single sabre broadsword out onto a dock on a lake and performed the Si Fa Do from My Jong Law Horn Kung Fu over and over in the moonlight of an
absolutely still night. Water…sword…moonlight.
Train, adapt. Be fluid like water.
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